Medium: Oil On Paper Laid On Canvas
Size: 35 x 24 cm
Galerie Martin du Nord, Paris 1977 ; Christie’s, London, 20 April 1979; Galerie Heim-Gairac, Paris; Galerie Nystad, Den Haag 1980; Sotheby’s London, 29 May 1985 ; Private Collection, Germany.
J. Valout, Notices historiques sur les tableaux de la Galerie de S.A.R. Monseigneur le duc d’Orléans, dédiée à S.A.R. Madame la duchesse d’Orléans, Paris, 1826, vol. 1; Blandine Lesage, Achille-Etna Michallon (1796-1822), Catalogue de l`œuvre peint, extrait de la Gazette des Beaux-arts, Octobre 1997, no. 49, Abb. S. 127.
These two studies, part of a series the young artist painted while at the Academy in Rome, Michallon’s prize for winning the 1785 competition, and while traveling in Italy, were painted towards the end of Michallon’s journey. The trip produced an elementary change in Michallon’s development as an artist; in these figure sketches we see the extraordinary talent that had earned the young artist the prix de Rome, but also the loosely modeled, yet detailed and richly-colored style, that anticipates Corot. Struck down at the onset of what would have been a glittering career just two years later, we know, from letters, Michallon’s exact course through Italy in 1820: these sketches were painted either in Sicily at the beginning of 1820, or outside Rome, where Michallon had returned by September of that year.
Three figure sketches from this series are in the Musée du Louvre, Paris, and one in the Musée des Beaux Arts, Orléans.